By Bernard Mendiburu

ISBN-10: 0240814614

ISBN-13: 9780240814612

Learn find out how to adapt your cinematography and construction abilities to this transforming into medium and be a part of the movement.

Master the original technical specifications of taking pictures 3D stereoscopic pictures. 3DTV and 3D Cinema defines the idea that of a pro 3D digital camera method and describes what good points are required to make a winning unit to maintain your construction on agenda and on price range. you are going to tips on how to paintings with the complicated and software program platforms, with a bit devoted to the categorical specifications of taking pictures for 3D cinema. 3D conversions, keying, and CG methods are analyzed, in addition to the basic staging, lighting fixtures, set dressing, framing, and digital camera circulate thoughts. The theoretical wisdom is complemented with real-world examples of 3D television and cinema productions which are analyzed through team participants or producers.

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That’s exactly the same challenge for 3D. You want nice 3D from all camera positions, and then coherent 3D across camera positions. When shopping for a 3D solution, here are the questions Steve Schklair suggests you ask your 3D TV vendor, and the answers that you should expect. Q: What is the setup time, from truck roll-out to shooting? A: Two hours is okay, two days is not, and 30 minutes is the standard time for world-class teams. Q: How is perfect alignment assured? A: You need computerized motion control and live post-processing.

On a director’s cue, it can also change convergence to match the depth on another camera position. The active depth cuts that were added in post in live movies like U23D, or in CGI movies like How to Train Your Dragon, are now available for live broadcasts. Last, but not least, the system is able to fix the optical geometry errors in the image domain. As we have seen, even the best 3D rigs cannot get a perfect image alignment. Even if they could reach sub-micron accuracy, the lenses’ assembly discrepancies would still generate some vertical rivalries—though we are talking about image imperfections that you would most likely not notice, like a faint background noise that is only noticeable once it stops.

3. Cameras mounted side by side. 3D TV and 3D Cinema. © 2012 Elsevier Inc. All rights reserved. 28 3D TV and 3D Cinema Globally, there are three types of stereoscopic camera units: 1. All-in-one 3D camcorders. Small 3D rigs, for a steady cam or shoulder mount, using digital camera heads. Large 3D rigs, hosting full-size digital cinemas, broadcast cameras, or camcorders. 1C Full-Size 3D Camera Unit. 3D cinema camera unit, with two Panavision Genesis cameras on a Binocle Brigger III with 3D monitors and SSD recorders.

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3D TV and 3D Cinema: Tools and Processes for Creative Stereoscopy by Bernard Mendiburu

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