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Extra resources for A Manual of Writers Tricks, David L. Carroll
Tone, in writing, is another word for taste, and taste that swings between extremes is often poor taste. Beware the "trumpeter" effect. Writers who insist on calling frequent attention to themselves eventually become irksome. s I have already made quite clear several times throughout this text. . s I myself was the first to disprove Lazlow's hypothesis, it seems only fair for me now to go on record as saying that I believe .. " "This colorful quarter-note refrain-which yours truly championed years before they'd heard of Miles Davis-remains a classic ....
ORDINARY: BETTER: In the Grand Empire the church was becoming a less important public authority than the state. BETTER: In the Grand Empire the church lost its position as public authority when the State swooped down and usurped its major policy-making functions. ORDINARY : When Hitler learned that Paris had surrendered, he and his generals became overjoyed . BETTER: When Hitler learned that Paris had surrendered, he danced a jaunty jig in front of his ecstatic generals.
Another is attentive: "Is the lace tight enough? Satisfied? " Make yourself likeable by asking the reader questions: "Jack E. " All in all , writers make themselves likeable in the same way we all do: by being friendly, interesting, and genuinely concerned with the welfare of the person we are talking to. " Keep the tone on an even keel from beginning to end. If you start out writing in a formal tone, continue in this way from beginning to end . Don't suddenly lapse into 18 TONE slapstick or become overly familiar in the middle of a factual piece.
A Manual of Writers Tricks, David L. Carroll